In October 2021, DRHS obtained the services of Studio TKM Associates, Inc. to do a complete report for future stabilization and preservation of the historic block-printed wallpapers at the King Caesar House Museum.
The papers are fragile, and in many places are suffering from the effects of exposure and loss. This survey provides important steps to ensure that these beautiful papers, which are in both parlors of the historic house, will continue to be preserved for generations to come.
The 1820s papers were installed about 10 years after the house was constructed, and are extraordinary statements on the house’s decor as well as the way the house functioned in terms of social status, business, and public perception. They are absolutely beautiful so be sure to stop by and see them when you are next able!
The DRHS will be working in the next year to obtain the critical funding in order to make the recommendations and improvements. Interested in learning more? Please contact Erin McGough at emcgough@duxburyhistory.org.
Dufour, Paris, Les Incas, first edition c. 1818. Reissued by Desfosse & Karth, Paris, 2nd half of the 19th c. Printed in color on joined handmade paper sheets in the first edition. Inspired by historian Jean Francois Marmontel’s (1732-1799) Les Incas ou la Destruction de l’empire du Perou (1776) 18th century account of Pizarro’s conquest of Peru in 1531. Produced by Dufour et Cie in 25/30 panels. Collections: Musee des Arts Decoratif de Paris, Victoria & Albert Museum, Kommunkansliet Sweden.
Scene Sequence & Subject
Jacquemart, Paris, Le Parc Francais, first edition ca.1820-1925. Printed in color on joined handmade paper sheets. Design borrows from Hippolyte Leconte’s engravings and Pierre Lecompte’s paintings. From right to left, it depicts a peaceful, bucolic scene including the grave of Jean-Jacques Rousseau. Collections: Prestwould, Cortona (Italy), Belgium. As published in Odile Nouvel-Kammerer, French Scenic Wallpaper 1795-1865, Paris, 2001
Scene Sequence & Subject